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",[],{"artists":535,"date":82,"location":82,"title":536},[499],"I cross my arms over my chest, 2024",{"_key":82,"alt":82,"crop":82,"dimensions":538,"hotspot":82,"image":539,"originalFilename":359,"type":90},{"_type":84,"aspectRatio":355,"height":356,"width":357},"image-35336da268a618a5b22f22a56b7c7f842978364f-8126x6094-jpg",{"_type":82,"email":35,"readText":82,"type":541},{"inquire":542,"read":542},false,{"_type":524,"caption":544,"info":553,"media":556,"overlay":563},[545],{"_key":546,"_type":17,"children":547,"markDefs":552,"style":25},"3172d83ab44c",[548],{"_key":549,"_type":21,"marks":550,"text":551},"17a1a1f64bbd0",[],"© Adriaan Hauwaert",[],{"artists":554,"date":82,"location":82,"title":555},[499],"Detail I cross my arms over my chest, 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Throjanowski foto Selma Gurbuz 15 (19).jpg",{"_key":643,"alt":82,"crop":82,"dimensions":644,"hotspot":82,"image":648,"originalFilename":649,"type":90},"d0b1a6c8b913",{"_type":84,"aspectRatio":645,"height":646,"width":647},1.4998820476527484,4239,6358,"image-f5af57272e0a8167e7556423c71aa167a68b169e-6358x4239-jpg","C-mine  Station d'Artistes Thom  Throjanowski foto Selma Gurbuz 15 (1).jpg",{"artists":651,"date":652,"location":655,"title":656},[499],{"from":653,"to":654},"2025-06-21","2025-09-21","C Mine, Genk. ","Stemflow, you and I",{"_type":82,"email":35,"readText":658,"type":874},[659,667,675,695,702,710,717,732,740,867],{"_key":660,"_type":17,"children":661,"markDefs":666,"style":25},"5c76b12d80f5",[662],{"_key":663,"_type":21,"marks":664,"text":665},"22aef5219fc80",[],"There are many reasons to spend time alone amongst the trees: for solitude, health and wellbeing; for unbound wildlife, ambrosial scents and vivid colours; to observe and embrace the cyclical passing of seasons, from bittersweet melancholy to radiant flushes of life and optimism. Raised in the woody lands of middle England by zoologist and artist parents, British artist Thom Trojanowski has consistently looked to the forest as a site for exploration, wisdom and metaphor – whether the thick groves of Tunstall Forest near Suffolk, England, where the artist grew up, or Hoge Kempen’s expansive heathlands outside of Genk, the city in which he has lived and worked for the past five years. Captured by the duality and magic between its tangle of thorny shadows, the forest for Trojanowski is both a universal cornerstone for stories of survival, decay and renewal that we all share, as well as a dense and mystical preserve for our inner lives.",[],{"_key":668,"_type":17,"children":669,"markDefs":674,"style":25},"3d46bc7a40bd",[670],{"_key":671,"_type":21,"marks":672,"text":673},"0a22f7258f420",[],"",[],{"_key":676,"_type":17,"children":677,"markDefs":694,"style":25},"4eac6ce60e05",[678,683,687,690],{"_key":679,"_type":21,"marks":680,"text":682},"f91e67e5bcdf0",[681],"em","Stemflow, you and I ",{"_key":684,"_type":21,"marks":685,"text":686},"f91e67e5bcdf1",[],"is Trojanowski’s first exhibition in Genk and features painting, ceramics, pastel drawings and ecological ephemera produced in response to the city’s unique natural geography and post-industrial landscape. Inspired by daily walks up Winterslag Terril, Trojanowski couples his acidic, enigmatic landscapes – populated with rhapsodic portraits, butterflies, spikes, gnarled tree trunks and a near porcelain treatment of colour and form – with overtures to the bitter tonality of Genk’s mining past: charcoal greys, splinters of ivory sunlight and marbled shadows of teal, cream and stone. Evoking the indelible scars of extraction and heavy industry on the soul of the landscape, ",{"_key":688,"_type":21,"marks":689,"text":682},"f91e67e5bcdf2",[681],{"_key":691,"_type":21,"marks":692,"text":693},"f91e67e5bcdf3",[],"foregrounds a sombre and introspective mood that nevertheless presents us with the daydreaming, the bright and unabating desire we have to reconnect with the outside – to the richness and complexity of the ecological world around us.",[],{"_key":696,"_type":17,"children":697,"markDefs":701,"style":25},"dc0d9259f05d",[698],{"_key":699,"_type":21,"marks":700,"text":673},"3e8373fdf3b20",[],[],{"_key":703,"_type":17,"children":704,"markDefs":709,"style":25},"426f196bf65e",[705],{"_key":706,"_type":21,"marks":707,"text":708},"4f2709c80d2c0",[],"Forcing us to confront the siren of ecological collapse alongside the weird and magical reality of a more-than-human world, the weight of atmosphere in Trojanowski’s work is felt not only through physicality, scale and material intuition – his glazed, graphic style resonating with modernist tiles, door handles and mosaics inspired by natural forms that adorn properties across Genk – but through the visual compression of psychological and physical landscapes. This eidetic language finds its vanishing point in washed-out stains of canvas that wane and contrast their material heaviness, collapsing distinctions of interior and exterior, human and non-human, into a pre-romantic mysticism evocative of the works of William Blake or the intoxicating surrealist landscapes of Max Ernst – worlds where linear time and human agency are engulfed by a foreign terrain of rhythms, pulsions and patterinings beyond our knowing.",[],{"_key":711,"_type":17,"children":712,"markDefs":716,"style":25},"71f14f394d05",[713],{"_key":714,"_type":21,"marks":715,"text":673},"4f1b7e0833d80",[],[],{"_key":718,"_type":17,"children":719,"markDefs":731,"style":25},"0fc6c96bf071",[720,724,727],{"_key":721,"_type":21,"marks":722,"text":723},"f24e0b47776d0",[],"With angular twists of bare and knotted branches, it is nevertheless trees that continue to define Trojanowski’s uncanny, allegorical world. Loosely brushed, with confident, free-flowing use of pigment, linseed oil and turpentine, trees dance between chemically-infused, hypnotic totems to a series of fallen heroes, stripped bare, bleached and mottled. They stand as witness to the inevitable – at times brutal – passage of time that we all face, buckled and withered, reaching out for connection. For Trojanowski, the forest is a place of contradictory and complex majesty – where one can get away from the speed and pressures of everyday urban life to reclaim a deep sense of enchantment with the natural world – if, at times, this may only be achieved through the estranged and painterly invocation of memory, place and feeling. ",{"_key":725,"_type":21,"marks":726,"text":682},"f24e0b47776d1",[681],{"_key":728,"_type":21,"marks":729,"text":730},"f24e0b47776d2",[],"opens on 21st June 2025, this year’s summer solstice.",[],{"_key":733,"_type":17,"children":734,"markDefs":739,"style":25},"3b4022604a81",[735],{"_key":736,"_type":21,"marks":737,"text":738},"44bb366b88d80",[],"Thom Trojanowski’s multi-medium practice is the fruit of his symbiotic relationship with nature, merging autobiographical elements, folk tales and mythologies. In Trojanowski’s painterly environments, the textures are rich, shapes are distorted and colours are vivid. They depict the complexity of forests and the relation between the organisms that inhabit that ecosystem. Inviting and intimidating at once, nature morphologies are used as archetypes to convey deeper aspects of the relation between its elements: human figures, trees, spikes, butterflies and moths become motives that reinforce the interaction and complexity between entities, often harbouring the ominous feeling that the natural world as we know it could soon be lost forever.",[],{"_key":741,"_type":17,"children":742,"markDefs":866,"style":25},"4180e4cfbd0d",[743,747,750,754,758,762,766,770,774,778,782,786,790,794,798,802,806,810,814,818,822,826,830,834,838,842,846,850,854,858,862],{"_key":744,"_type":21,"marks":745,"text":746},"0c4fbed4a1480",[],"\nThom Trojanowski (b. 1988, Kidderminster, UK) lives and works in Genk, BE. Trojanowski graduated from Wimbledon College of Arts, London, in 2015. Recent solo exhibitions include ",{"_key":748,"_type":21,"marks":749,"text":512},"0c4fbed4a1481",[681],{"_key":751,"_type":21,"marks":752,"text":753},"0c4fbed4a1482",[],", Super Dakota, Brussels, BE (2024); ",{"_key":755,"_type":21,"marks":756,"text":757},"0c4fbed4a1483",[681],"And now, the fabulous Bokrijk!,",{"_key":759,"_type":21,"marks":760,"text":761},"0c4fbed4a1484",[]," Stereo, Warsaw, PL(2023); ",{"_key":763,"_type":21,"marks":764,"text":765},"0c4fbed4a1485",[681],"Glade",{"_key":767,"_type":21,"marks":768,"text":769},"0c4fbed4a1486",[],", Brooke Bennington, London, UK (2023); ",{"_key":771,"_type":21,"marks":772,"text":773},"0c4fbed4a1487",[681],"Day Breaks",{"_key":775,"_type":21,"marks":776,"text":777},"0c4fbed4a1488",[],", Everyday Gallery, Antwerp, BE (2022);",{"_key":779,"_type":21,"marks":780,"text":781},"0c4fbed4a1489",[681]," Climbing Black Branches",{"_key":783,"_type":21,"marks":784,"text":785},"0c4fbed4a14810",[],", Kris Day Gallery, London, UK (2020); and ",{"_key":787,"_type":21,"marks":788,"text":789},"0c4fbed4a14811",[681],"Step Lightly",{"_key":791,"_type":21,"marks":792,"text":793},"0c4fbed4a14812",[],", L21 Gallery, Palma Mallorca, ES (2019). Recent selected group shows include: ",{"_key":795,"_type":21,"marks":796,"text":797},"0c4fbed4a14813",[681],"A Path With A Heart",{"_key":799,"_type":21,"marks":800,"text":801},"0c4fbed4a14814",[],", The Split Gallery, London, UK (2023); ",{"_key":803,"_type":21,"marks":804,"text":805},"0c4fbed4a14815",[681],"Sticky and Broken",{"_key":807,"_type":21,"marks":808,"text":809},"0c4fbed4a14816",[],", P12, Brussels, BE (2022);",{"_key":811,"_type":21,"marks":812,"text":813},"0c4fbed4a14817",[681],"This Is The Longing",{"_key":815,"_type":21,"marks":816,"text":817},"0c4fbed4a14818",[],", Begijnhof Hasselt, Hasselt, BE (2022); Potluck, Everyday Gallery, Antwerp, BE (2022);",{"_key":819,"_type":21,"marks":820,"text":821},"0c4fbed4a14819",[681],"Tree and Leaf",{"_key":823,"_type":21,"marks":824,"text":825},"0c4fbed4a14820",[],", Hannah Barry Gallery, London, UK (2021); Raw Green, Sim Smith, London, UK (2020); ",{"_key":827,"_type":21,"marks":828,"text":829},"0c4fbed4a14821",[681],"Paintings On And With Paper",{"_key":831,"_type":21,"marks":832,"text":833},"0c4fbed4a14822",[],", COB Gallery, London, UK (2020); ",{"_key":835,"_type":21,"marks":836,"text":837},"0c4fbed4a14823",[681],"NUDE",{"_key":839,"_type":21,"marks":840,"text":841},"0c4fbed4a14824",[],", Everyday Gallery, Antwerp, BE (2019); ",{"_key":843,"_type":21,"marks":844,"text":845},"0c4fbed4a14825",[681],"Run Straight Through",{"_key":847,"_type":21,"marks":848,"text":849},"0c4fbed4a14826",[],", Torrence Museum Of Modern Art, Los Angeles, US (2019); and ",{"_key":851,"_type":21,"marks":852,"text":853},"0c4fbed4a14827",[681],"The Annotated Reader",{"_key":855,"_type":21,"marks":856,"text":857},"0c4fbed4a14828",[],", Cork Street Galleries, London, UK (2019). In 2021 he completed the ",{"_key":859,"_type":21,"marks":860,"text":861},"0c4fbed4a14829",[681],"superzoom ",{"_key":863,"_type":21,"marks":864,"text":865},"0c4fbed4a14830",[],"residency in the South of France.",[],{"_key":868,"_type":17,"children":869,"markDefs":873,"style":25},"348841d25ffd",[870],{"_key":871,"_type":21,"marks":872,"text":673},"1b516c5dc04f0",[],[],{"inquire":73,"read":73},{"_type":524,"caption":82,"info":876,"media":880,"overlay":887},{"artists":877,"date":878,"location":879,"title":656},[499],{"from":653,"to":654},"C-Mine | Genk, Belgium",{"_key":82,"alt":82,"crop":82,"dimensions":881,"hotspot":82,"image":885,"originalFilename":886,"type":90},{"_type":84,"aspectRatio":882,"height":883,"width":884},1.500119246362986,4193,6290,"image-333e9966c143d6510801429a1b3772774bdb990a-6290x4193-jpg","C-mine  Station d'Artistes Thom  Throjanowski foto Selma Gurbuz 15 (16).jpg",{"_type":82,"email":35,"readText":82,"type":888},{"inquire":542,"read":542},{"_type":522,"assets":890,"caption":934,"info":943,"overlay":950},[891,899,904,909,914,919,924,929],{"_key":892,"alt":82,"crop":82,"dimensions":893,"hotspot":82,"image":897,"originalFilename":898,"type":90},"9851d1372518",{"_type":84,"aspectRatio":894,"height":895,"width":896},1.499659168370825,1467,2200,"image-be55f66424064a01925e81f65d0027ca0a1b0faf-2200x1467-jpg","Thom-Trojanowski-at-Stereo_9.jpg",{"_key":900,"alt":82,"crop":82,"dimensions":901,"hotspot":82,"image":902,"originalFilename":903,"type":90},"faac17c464e6",{"_type":84,"aspectRatio":894,"height":895,"width":896},"image-26319d73f2ec3810e1ae51ef33d334644464285f-2200x1467-jpg","Thom-Trojanowski-at-Stereo_2.jpg",{"_key":905,"alt":82,"crop":82,"dimensions":906,"hotspot":82,"image":907,"originalFilename":908,"type":90},"0c4568c5142c",{"_type":84,"aspectRatio":894,"height":895,"width":896},"image-df9e1cbe99fb78923cc74af776504f57eea00550-2200x1467-jpg","Thom-Trojanowski-at-Stereo_3.jpg",{"_key":910,"alt":82,"crop":82,"dimensions":911,"hotspot":82,"image":912,"originalFilename":913,"type":90},"8a1670123eea",{"_type":84,"aspectRatio":894,"height":895,"width":896},"image-d25c08939c8129e0ba2c30bb87be790e64658479-2200x1467-jpg","Thom-Trojanowski-at-Stereo_1.jpg",{"_key":915,"alt":82,"crop":82,"dimensions":916,"hotspot":82,"image":917,"originalFilename":918,"type":90},"b4d1a7f811db",{"_type":84,"aspectRatio":894,"height":895,"width":896},"image-a216fe7dfc0913e73d3b937f2f2a55c4ff2e036b-2200x1467-jpg","Thom-Trojanowski-at-Stereo_4.jpg",{"_key":920,"alt":82,"crop":82,"dimensions":921,"hotspot":82,"image":922,"originalFilename":923,"type":90},"ac943f3254c5",{"_type":84,"aspectRatio":894,"height":895,"width":896},"image-94bb69747901d3a8aa0a50c746802daadee5c7a7-2200x1467-jpg","Thom-Trojanowski-at-Stereo_6.jpg",{"_key":925,"alt":82,"crop":82,"dimensions":926,"hotspot":82,"image":927,"originalFilename":928,"type":90},"f123ad70d893",{"_type":84,"aspectRatio":894,"height":895,"width":896},"image-bd26884f02ce4d7ad9e49b567f2025129b25603f-2200x1467-jpg","Thom-Trojanowski-at-Stereo_5.jpg",{"_key":930,"alt":82,"crop":82,"dimensions":931,"hotspot":82,"image":932,"originalFilename":933,"type":90},"539fc2e762e8",{"_type":84,"aspectRatio":894,"height":895,"width":896},"image-36eb96b941dbb0fc195eaf9b94b09a410d9049a8-2200x1467-jpg","Thom-Trojanowski-at-Stereo_7.jpg",[935],{"_key":936,"_type":17,"children":937,"markDefs":942,"style":25},"688bcac4e7a4",[938],{"_key":939,"_type":21,"marks":940,"text":941},"b9d14e65ab8e",[],"Courtesy of the artist and Stereo, Warsaw.",[],{"artists":944,"date":945,"location":948,"title":949},[499],{"from":946,"to":947},"2023-11-18","2024-01-05","Stereo, Warsaw","And now, the fabulous Bokrijk! ",{"_type":82,"email":35,"readText":951,"type":984},[952,960,968,976],{"_key":953,"_type":17,"children":954,"markDefs":959,"style":25},"9b034d4fe660",[955],{"_key":956,"_type":21,"marks":957,"text":958},"8b9255eef3f90",[],"\"Thom Trojanowski’s exhibition consists of a series of paintings based on observations of the annual life cycle of the Bokrijk forest – a nature reserve covering fifty acres of forests, thickets, swamps and nineteen lakes. Every day, the artist conducts local visits, records and recreates subsequent impressions from walks in the natural surroundings. If you pay enough attention, it is easy to feel someone’s presence. The eyes, trying to locate it, may encounter a flower, a bent branch, something blurry, buried in the mud, or simply their own reflection in the water.",[],{"_key":961,"_type":17,"children":962,"markDefs":967,"style":25},"f32fa0b69f83",[963],{"_key":964,"_type":21,"marks":965,"text":966},"3253a1a707ef0",[],"Trojanowski searches for a visual representation of the relationship between people and nature. He speculates on their coexistence, covering ecosystems with his own, sensitive gaze. His paintings seem to be an area in which both perspectives, those of man and nature, overlap and create a genre of ambivalent, dynamic landscape.",[],{"_key":969,"_type":17,"children":970,"markDefs":975,"style":25},"a65d59dc1f08",[971],{"_key":972,"_type":21,"marks":973,"text":974},"f7ec98e6f2300",[],"Trojanowski’s painting uses irrational emotions relating to direct experience with the beauty of nature, often showing that it does not always manifest itself through harmony, proportion or symmetry. Taking into account its complex character, he adapts painting means to present specific impressions – with a soft and subtle gesture depicts the silence and stillness of water, and sometimes thickens the tissue of the painting to a texture, thus imitating tree bark or dried mud.",[],{"_key":977,"_type":17,"children":978,"markDefs":983,"style":25},"13c7d61586e8",[979],{"_key":980,"_type":21,"marks":981,"text":982},"bd91e18bf85e0",[],"The title slogan of the exhibition draws the Bokrijk forest in a completely unfamiliar context – by referring to it directly and announcing it, it gives the forest a sort of star identity. Its existence, however, is not determined by being perceived, it does not need a mediator or a stage – in Trojanowski’s painting, nature appears overwhelmingly indifferent towards man. Sometimes it gives him warmth and shelter, and sometimes it gives him a flood.\" \nStereo, Warsaw",[],{"inquire":542,"read":73},{"_type":522,"assets":986,"caption":1049,"info":1058,"overlay":1064},[987,995,1003,1011,1018,1023,1031,1036,1044],{"_key":988,"alt":82,"crop":82,"dimensions":989,"hotspot":82,"image":993,"originalFilename":994,"type":90},"4e3badf6358a",{"_type":84,"aspectRatio":990,"height":991,"width":992},1.5001727115716752,5790,8686,"image-2ff10593c84b4090bff5024301209a553e8eb8d6-8686x5790-jpg","202210_everyday-11.jpg",{"_key":996,"alt":82,"crop":82,"dimensions":997,"hotspot":82,"image":1001,"originalFilename":1002,"type":90},"859a3459f013",{"_type":84,"aspectRatio":998,"height":999,"width":1000},1.499901088031652,5055,7582,"image-f91933a51664b449ce9c81287dca9e9c1b612411-7582x5055-jpg","202210_everyday-13.jpg",{"_key":1004,"alt":82,"crop":82,"dimensions":1005,"hotspot":82,"image":1009,"originalFilename":1010,"type":90},"2125d0cf66dd",{"_type":84,"aspectRatio":1006,"height":1007,"width":1008},1.5000863408737697,5791,8687,"image-6df719e79ba293fc7d9ac2ccba99335bbe27d5c0-8687x5791-jpg","202210_everyday-23.jpg",{"_key":1012,"alt":82,"crop":82,"dimensions":1013,"hotspot":82,"image":1016,"originalFilename":1017,"type":90},"8aa02c1b83c7",{"_type":84,"aspectRatio":109,"height":1014,"width":1015},5792,8688,"image-e6104257026d854a2d91770c0863a6d722aa07e2-8688x5792-jpg","202210_everyday-01.jpg",{"_key":1019,"alt":82,"crop":82,"dimensions":1020,"hotspot":82,"image":1021,"originalFilename":1022,"type":90},"341983f1c608",{"_type":84,"aspectRatio":109,"height":1014,"width":1015},"image-2526d94641a97830d388eb7d55383fadc94e4685-8688x5792-jpg","202210_everyday-03.jpg",{"_key":1024,"alt":82,"crop":82,"dimensions":1025,"hotspot":82,"image":1029,"originalFilename":1030,"type":90},"1f411ada63ab",{"_type":84,"aspectRatio":1026,"height":1027,"width":1028},1.500364564345607,5486,8231,"image-7bb0611f87ffe9c0f404143298559ea56a85b67a-8231x5486-jpg","202210_everyday-25.jpg",{"_key":1032,"alt":82,"crop":82,"dimensions":1033,"hotspot":82,"image":1034,"originalFilename":1035,"type":90},"3cae052de508",{"_type":84,"aspectRatio":109,"height":1014,"width":1015},"image-d4a6ddb3608b7f6c527ee469642865715840f1d0-8688x5792-jpg","202210_everyday-26.jpg",{"_key":1037,"alt":82,"crop":82,"dimensions":1038,"hotspot":82,"image":1042,"originalFilename":1043,"type":90},"7b80823c3dd6",{"_type":84,"aspectRatio":1039,"height":1040,"width":1041},1.4997378080755113,5721,8580,"image-735591921fe8fa64c9d23be64186e6a4c984de39-8580x5721-jpg","202210_everyday-29.jpg",{"_key":1045,"alt":82,"crop":82,"dimensions":1046,"hotspot":82,"image":1047,"originalFilename":1048,"type":90},"0259f1b4163c",{"_type":84,"aspectRatio":109,"height":1014,"width":1015},"image-7b6857bce2841eee7c5bcd3f16a91a656ff35216-8688x5792-jpg","202210_everyday-37.jpg",[1050],{"_key":1051,"_type":17,"children":1052,"markDefs":1057,"style":25},"4b7d3085b122",[1053],{"_key":1054,"_type":21,"marks":1055,"text":1056},"54fc6a7fb5d90",[],"© Thom Trojanowski and Everyday Gallery.",[],{"artists":1059,"date":1060,"location":1063,"title":773},[499],{"from":1061,"to":1062},"2022-10-15","2022-11-13","Everyday Gallery, Antwerp",{"_type":82,"email":35,"readText":1065,"type":1104},[1066,1074,1081,1089,1096],{"_key":1067,"_type":17,"children":1068,"markDefs":1073,"style":25},"334b82bc74f3",[1069],{"_key":1070,"_type":21,"marks":1071,"text":1072},"8dd6bf8e03300",[],"\"Thom Trojanowski (1988, U.K.) was raised in the woody lands of middle England with his parents both working as ecologists. He received his master’s in Fine Arts from the Wimbledon College of Arts in 2015; but like the love of nature, the love of art runs deep in his family. Through his family’s interest in Polish fold design, the artist became acquainted with the formal grace and creative potential of organic forms from a young age. Through his parents, he became attuned to the ecological richness and complexity of the forest. Taken together, these become crucial ingredients in Trojanowski’s artistic endeavor to use art to reconnect with nature without any form of naive romanticism such as idyllic representations. In his new works, the artist achieves this by drawing inspiration from the Genk forest area he recently moved to.",[],{"_key":1075,"_type":17,"children":1076,"markDefs":1080,"style":25},"1b4df6f97fa0",[1077],{"_key":1078,"_type":21,"marks":1079,"text":673},"74132ce8799d0",[],[],{"_key":1082,"_type":17,"children":1083,"markDefs":1088,"style":25},"ba47a1232fb8",[1084],{"_key":1085,"_type":21,"marks":1086,"text":1087},"0ad8bf3124b80",[],"The paintings of Trojanowski are populated by contorted human figures, morphing shapes of trees, moths, butterflies, and brightly colored orange suns that burn from clear blue skies. His color palette tends towards more saturated colors, but with a slightly darker hue that strips his images of any direct realism; his forms and composition bear the influence of German expressionism and the Polish arts and crafts movement alike. In spite of their colors, size and expressiveness, all his paintings first and foremost convey a unique and eerie atmosphere, a deep sense of mystery. The scenes he depicts entice the viewer to engage in that different conceptualization of nature, drawing upon one’s own desires and imagination to complete it.",[],{"_key":1090,"_type":17,"children":1091,"markDefs":1095,"style":25},"693dd949859d",[1092],{"_key":1093,"_type":21,"marks":1094,"text":673},"7b1ffba1d88a0",[],[],{"_key":1097,"_type":17,"children":1098,"markDefs":1103,"style":25},"3f74d3632d8a",[1099],{"_key":1100,"_type":21,"marks":1101,"text":1102},"0a793f3182100",[],"In his show for Everyday Gallery, Trojanowski has taken this suggestive, gestural and deliberately fragmentary approach to the depiction of nature a step further. Making good use of the space available to him, he uses the corridor that connects the two gallery rooms to create the suggestion of a forest. On both walls, a series of large tree paintings are on display. It almost feels as if you are walking through Trojanowski’s imagined forest. Facing the second room gallery we then see a canvas with a large sun, as if we are walking through the forest and toward the sun that chars and burns all that exists. The mildly apocalyptic vibe this brings us is indicative of Thom Trojanowski as a painter: hugely expressive, but never nostalgic, Trojanowski invites us to partake in a creative attempt to engage in new and unexpected ways with nature.\" \nEveryday Gallery, Antwerp",[],{"inquire":542,"read":73},{"_key":1106,"_type":265,"mobileTitle":1107,"title":1107},"ff3b2e33a4cd","Works",{"_type":524,"caption":1109,"info":1118,"media":1121,"overlay":1123},[1110],{"_key":1111,"_type":17,"children":1112,"markDefs":1117,"style":25},"fc1e360fbc65",[1113],{"_key":1114,"_type":21,"marks":1115,"text":1116},"32e6193756110",[],"2024, oil on canvas, 180 x 200 cm.",[],{"artists":1119,"date":82,"location":82,"title":1120},[499],"I’m back, 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